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Landscape Course

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Students from India, USA, Canada, UK, UAE, Saudi Arabia, Singapore, Malaysia, Oman, Qatar, Kuwait, Bahrain, Nigeria, Spain, Japan, South Korea, Australia, Sri Lanka..

"Capture the Beauty of Nature through Landscape Painting Mastery"

level 1

Certificate on Assessment by Konsult

🎨 Level 1: Introduction to Landscape Painting In Level 1 of our Landscape Painting Course, students will embark on their artistic journey into the captivating world of landscape painting. This foundational level is designed for beginners and those with little to no prior experience in landscape painting.

Students will explore the basics of capturing the beauty of natural landscapes on canvas, including understanding perspective, color theory, and composition.

They will also learn essential techniques for depicting elements such as trees, mountains, water, and skies. Level 1 provides a solid foundation for students to understand the fundamentals of landscape painting and create their first scenic artworks.

level 2

Certificate on assessment by LAPT, UK


🎨 Level 2: Intermediate Landscape Painting Level 2 of our Landscape Painting Course is tailored for students who have completed Level 1 or possess some prior experience in landscape painting.

In this level, students will delve deeper into the art of landscape painting, focusing on refining their skills and exploring more complex subjects. They will learn advanced techniques for creating depth and atmosphere in their landscape compositions.

Level 2 also introduces students to different landscape styles and approaches, encouraging them to experiment and develop their unique artistic voice. By the end of Level 2, students will have created more intricate and evocative landscape paintings.


Certificate on assessment by LAPT, UK

Diploma_in_Fine _Arts

🎨 Advanced Level: Mastery of Landscape Painting The Advanced Level of our Landscape Painting Course is designed for experienced artists looking to master the art of landscape painting.

This level represents the culmination of skills and knowledge acquired in Levels 1 and 2. Students will work on ambitious landscape projects, refine their technique, and engage in critical discussions about their work and contemporary landscape art trends. Advanced topics such as plein air painting, capturing changing light, and creating immersive landscapes will be explored.

Students will be encouraged to create a portfolio of their best work and develop a distinct artistic identity as landscape painters. By the end of the Advanced Level, students will be well-prepared to pursue a professional career in landscape painting or continue their artistic journey at an advanced level of expertise.

These three levels provide a comprehensive and progressive learning experience for students at Konsult Art and Design Academy, ensuring that they develop a strong foundation and grow into skilled landscape artists capable of capturing the beauty of the natural world in their unique and expressive ways. dence.

Landscape Painting Course


Students from India, USA, Canada, UK, UAE, Saudi Arabia, Singapore, Malaysia, Oman, Qatar, Kuwait, Bahrain, Nigeria, Spain, Japan, South Korea, Australia, Sri Lanka..


Professional and Reliable
Comprehensive Personalised Instructions

Dedicated Educators

Our classes are taught by dedicated and experienced educators. Using proven teaching strategies, they make sure that every student finds a path to success.


Our  Courses are reasonably priced and offer value for money with the best of Art Teachers and a structured curriculum 

Course Offerings

We embrace a learning environment that will prepare you for the path ahead. Our classes incorporate traditional learning styles as well as hands-on experiences.

Years Of

With a decade of experience in quality education, your success is our priority. To support our inclusive community, we provide a personal approach, tailoring learning methods to each student’s needs.



LAPT Ltd (London Academy of Professional Training) is incorporated in 2003 by the registrar of companies for England and Wales, (company number 4984798) under the Companies’ Act 1985. LAPT Ltd is a skill assessment body having its Exam available in 180 countries on the Pearson VUE testing centre network.

The Qualifications awarded by LAPT are based on its Exams and assessments. LAPT Qualifications partners with training providers globally. LAPT is a network of trainers, assessors and placement consultants helping accredited training academies in delivering global qualification locally.

LAPT Ltd also operates an association of assessors under the name LACE Board (London Academy Certification and Examination Board. It is a membership body. Authors, examiners, assessors and professional trainers are the member of LACE Board.


An oil painting course is a type of art class that focuses specifically on the medium of oil paint. Oil paint is a type of paint that is made from pigments mixed with a drying oil, such as linseed oil or safflower oil. It is a popular medium for creating fine art because of its ability to produce rich, vibrant colors, and its ability to be layered and blended to create a wide range of effects.

In an oil painting course, students will typically learn about the different types of oil paint and how to use them, as well as how to mix and blend colors to create a wide range of hues and tones. They will also learn about the various tools and materials needed for oil painting, such as brushes, palettes, and canvases.

In addition to learning about the technical aspects of oil painting, students in an oil painting course will also typically learn about the principles of composition and design, and how to use color, value, and texture to create visual interest and depth in their paintings. They may also learn about the history of oil painting and the work of different artists who have used this medium.

Overall, an oil painting course is designed to provide students with a comprehensive understanding of the medium of oil paint and how to use it to create successful paintings.

Explore the art of painting with with the most versatile medium of oil. Whether you’re improving your technique or starting from scratch, this course will help you paint with confidence. Students will explore a variety of painting approaches, and develop their technical and conceptual skills, while realizing their own unique vision. The Painting Certificate is designed for adults who are interested in exploring the tools and traditions of painting while experimenting with new methods, materials, and concepts.

Learn how to manipulate your paints to stunning effect, get hints and tips on working and re-working your paintings as they dry, and discover painting techniques that will add a stunning depth, light and character to your work.


The course can be completed in 3 Levels:

Level 1 | Level 2 | Advanced Level

In level 1, you will start from the basics and step up to learn (24 Sessions) a wider range of forms. 08 Self Artworks should be submitted for evaluation and assessment.

In Level 2, you will move on to advanced level learning (24 Sessions in Level 1 + 12 Sessions in Level 2) and create some wonderful artworks. 12 Self Artworks should be submitted for evaluation and assessment.

Advanced Level: Those who are looking at higher level learning (24 Sessions in Level 1 + 12 Sessions in Level 2 + 12 Sessions in Advanced Level) with additional focus in related genres and very advanced level artworks, can opt for Advanced Level. 15 Self Artworks should be submitted for evaluation and assessment.

Train with the best




50% OFF
9500 24 SESSIONS
  • Instalment: Time of Admission: Rs. 5500 | Second Month: Rs. 4250
  • Registration: Rs. 500 (Online) / Rs. 1000 (Campus)
  • Certificate of Completion by Konsult


50% OFF
12950 36 SESSIONS
  • instalment: Time of Admission: Rs. 7950 | Second Month: Rs.5345
  • Certificate in Fine Arts by LAPT, UK
  • Registration: Rs. 500 (Online) / Rs. 1000 (Campus)


50% OFF
15995 48 SESSIONS
  • instalment: Time of Admission: Rs. 7950 | Monthly Instalments: Rs.4325 * 2 months
  • Registration: Rs. 500 (Online) / Rs. 1000 (Campus)
  • Advanced Certificate in Fine Arts by LAPT, UK



50% OFF
$ 134 24 SESSIONS
  • Instalment: Time of Admission: $78 | Second Month: $60
  • Registration: $7 (Online)
  • Certificate of Completion by Konsult


50% OFF
$ 183 36 SESSIONS
  • instalment: Time of Admission: $112 | Second Month: $75
  • Certificate in Fine Arts by LAPT, UK
  • Registration: $7 (Online)


50% OFF
$ 226 48 SESSIONS
  • instalment: Time of Admission: Rs. $112 | Monthly Instalments: $75 * 2 Months
  • Registration: $7 (online)
  • Advanced Certificate in Fine Arts by LAPT, UK

Fees Payment

Please Note: E Books cost Rs.245 (India) per book / $4 per book (International) | Konsult Assessment and Certification Fee: e-copy: Rs.300/- / $5 (International) | Hard Copy: Rs. 600/- (Courier Charges at actuals) / $9 (International) | LAPT, UK Certification Fee:  Rs.3000/- / $42 (International) (Courier Charges at actuals for Hard Copy)

In case of any query regarding fees, scholarship or instalment plans, kindly get in touch touch with our Programme Office (Call or WhatsApp +91 9902739994) 9.30 am to 6.30 pm IST


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Add Rs.1000/ for Offline (@ Bangalore Campus) or Rs.500/-(Online) towards Registration (On Admission) for new admissions.

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Payment thru secured Razorpay / PayPal payment gateway. 

The currency is in USD.

Visa / Mastercard / Paypal.

$7 towards Registration (On Admission) - Online for new admissions.

International Students - Pay the fees here


“If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced.”
― Vincent Willem van Gogh



Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountainsvalleystreesrivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects.

Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism.

Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a topographical view.[1] Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views.[2]

The word “landscape” entered the modern English language as landskip (variously spelt), an anglicization of the Dutch landschap, around the start of the 17th century, purely as a term for works of art, with its first use as a word for a painting in 1598.[3] Within a few decades it was used to describe vistas in poetry,[4] and eventually as a term for real views. However the cognate term landscaef or landskipe for a cleared patch of land had existed in Old English, though it is not recorded from Middle English.


The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest “pure landscapes” with no human figures are frescos from Minoan Greece of around 1500 BCE.[6]

Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give a strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun, now in the British Museum (c. 1350 BC), are a famous example.

For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in the Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of PompeiiHerculaneum and elsewhere, and mosaics.[7]

The Chinese ink painting tradition of shan shui (“mountain-water”), or “pure” landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition.

Both the Roman and Chinese traditions typically show grand panoramas of imaginary landscapes, generally backed with a range of spectacular mountains – in China often with waterfalls and in Rome often including sea, lakes or rivers. These were frequently used, as in the example illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty.

A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied a low position in the accepted hierarchy of genres, in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art. Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. In the West this was history painting, but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and Japan. They were often also poets whose lines and images illustrated each other.[8]

However, in the West, history painting came to require an extensive landscape background where appropriate, so the theory did not entirely work against the development of landscape painting – for several centuries landscapes were regularly promoted to the status of history painting by the addition of small figures to make a narrative scene, typically religious or mythological.