Abstract Painting Course

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Comprehensive Personalised Instructions

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Our classes are taught by dedicated and experienced educators. Using proven teaching strategies, they make sure that every student finds a path to success.

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Our  Courses are reasonably priced and offer value for money with the best of Art Teachers and a structured curriculum 

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We embrace a learning environment that will prepare you for the path ahead. Our classes incorporate traditional learning styles as well as hands-on experiences.

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Experience

With a decade of experience in quality education, your success is our priority. To support our inclusive community, we provide a personal approach, tailoring learning methods to each student’s needs.

Abstract Painting Course

Explore the art of Abstract painting with with the most versatile medium of Acrylic. Whether you’re improving your technique or starting from scratch, this course will help you paint with confidence. Students will explore a variety of painting approaches, and develop their technical and conceptual skills, while realizing their own unique vision. The Painting Certificate is designed for adults who are interested in exploring the tools and traditions of painting while experimenting with new methods, materials, and concepts.

Learn how to manipulate your paints to stunning effect, get hints and tips on working and re-working your paintings as they dry, and discover painting techniques that will add a stunning depth, light and character to your work.

Abstract Painting Course

The course can be completed in 2 Levels: Level 1 & Level 2

In level 1, you will start from the basics and step up to learn a wider range of forms.

In Level 2, you will move on to advanced level learning and create some wonderful artworks.

Abstract Painting Course:

Level 1:

On Completion of the course and assessment, the student will receive " Certificate in Abstarct Painting " from Konsult.

OPTIONAL: They can opt to be assessed by LAPT, UK and receive a "Certificate in Fine Arts' from LAPT, UK. 

Level 2:

On Completion of the course and assessment, the student will receive " Advanced Certificate in Abstarct Painting" from Konsult.

OPTIONAL: They can opt to be assessed by LAPT, UK and receive a "Advanced Certificate in Fine Arts' from LAPT, UK. 

Abstract Painting Course

LEVEL 1 - Advanced Certificate (24 Sessions + 08 Assignments) 

 India (Rs.)International (US$)
ORIGINAL FEES14,500204
ANNIVERSARY OFFER (DISCOUNT)6,05585
Course Fee8445119

Payment Options

OPTION A - Full Payment
Course Fee8,445119
Additional Discount4957
Full Payment7,950112
OPTION B - 2 Payments
Time of Admission :3,950137
Monthly Instalments3995 X 1 month59 X 1 month
Only for Indian Students:  
0% EMI facility available from Zest Money & Early Salary Apps
EMI Facility available in all major credit card 
Select the EMI option during the Razorpay checkout 

Please Note: E Books cost Rs.195 (India) per book / $3 per book (International); Hard copy books or Certificate cost - Kindly check with the Program Office on Admission

Abstract Painting Course

 

 

LEVEL 2 - Advanced Certificate (36 Sessions + 12 hours Assignments)

 India (Rs.)International (US$)
ORIGINAL FEES21,950310
SEASON'S OFFER9,955140
Course Fee11,995169
Payment Options
OPTION A - Full Payment
Course Fee11,995169
Additional Discount5007
Full Payment11,495162
OPTION B - 2 Payments
Time of Admission :6,95098
1 month payment5,04571
57

Please Note: E Books cost Rs.245 (India) per book / $4 per book (International); LAPT, UK Certification is optional - Kindly check with the Program Office on Admission

STUDENTS FROM INDIA PAY HERE

Payment thru secured Razorpay payment gateway. 

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Add Rs.1000/ for Offline (@ Bangalore Campus) or Rs.500/-(Online) towards Registration (On Admission) for new admissions.

Indian Students - Pay the fees here

INTERNATIONAL STUDENTS PAY HERE

Payment thru secured Razorpay / PayPal payment gateway. 

The currency is in USD.

Visa / Mastercard / Paypal.

$7 towards Registration (On Admission) - Online for new admissions.

International Students - Pay the fees here

LANDSCAPE PAINTING COURSE

“If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced.”
― Vincent Willem van Gogh

LANDSCAPE PAINTING COURSE

LANDSCAPE PAINTING - Wikipedia

Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountainsvalleystreesrivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects.

Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism.

Landscape views in art may be entirely imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a topographical view.[1] Such views, extremely common as prints in the West, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful; similar prejudices existed in Chinese art, where literati painting usually depicted imaginary views, while professional artists painted real views.[2]

The word “landscape” entered the modern English language as landskip (variously spelt), an anglicization of the Dutch landschap, around the start of the 17th century, purely as a term for works of art, with its first use as a word for a painting in 1598.[3] Within a few decades it was used to describe vistas in poetry,[4] and eventually as a term for real views. However the cognate term landscaef or landskipe for a cleared patch of land had existed in Old English, though it is not recorded from Middle English.

History

The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included. The earliest “pure landscapes” with no human figures are frescos from Minoan Greece of around 1500 BCE.[6]

Hunting scenes, especially those set in the enclosed vista of the reed beds of the Nile Delta from Ancient Egypt, can give a strong sense of place, but the emphasis is on individual plant forms and human and animal figures rather than the overall landscape setting. The frescos from the Tomb of Nebamun, now in the British Museum (c. 1350 BC), are a famous example.

For a coherent depiction of a whole landscape, some rough system of perspective, or scaling for distance, is needed, and this seems from literary evidence to have first been developed in Ancient Greece in the Hellenistic period, although no large-scale examples survive. More ancient Roman landscapes survive, from the 1st century BCE onwards, especially frescos of landscapes decorating rooms that have been preserved at archaeological sites of PompeiiHerculaneum and elsewhere, and mosaics.[7]

The Chinese ink painting tradition of shan shui (“mountain-water”), or “pure” landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition.

Both the Roman and Chinese traditions typically show grand panoramas of imaginary landscapes, generally backed with a range of spectacular mountains – in China often with waterfalls and in Rome often including sea, lakes or rivers. These were frequently used, as in the example illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty.

A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied a low position in the accepted hierarchy of genres, in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art. Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. In the West this was history painting, but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and Japan. They were often also poets whose lines and images illustrated each other.[8]

However, in the West, history painting came to require an extensive landscape background where appropriate, so the theory did not entirely work against the development of landscape painting – for several centuries landscapes were regularly promoted to the status of history painting by the addition of small figures to make a narrative scene, typically religious or mythological.

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